By the late 90s, Chinese contemporary art had gained recognition and market value, both domestically and internationally, but it wasn’t until the early 2000s that the art world caught onto what Chinese artists were doing and the art was accepted into the mainstream.
Many headed West with the aim of breaking free from the conventions of the traditional ink paintings that were often linked with Chinese art and artists.
Gladstone said: “There has been a historical tendency for international Western audiences to stereotype Chinese art. They see it as a kind-of non-changing repertoire of ink painting, shanshui.”
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