The animated cartoon industry began in France in 1888, invented by Emile Reynaud and established in China in the 1950s. In addition to having a glorious age, Chinese animation now faces severe competition as the international industry is dominated by massive Japanese and US animation output. More and more Chinese children are fascinated by Transformers, Dragon Ball Garfield as well as Snoopy. So, what are the options for China's animation industry now?
Before 1949, animation did not make any headway in China. The Wan Brothers' Princess Iron Fan was representative of this period (taking three years, 237 artists and 350,000 yuan to make, Princess Iron Fan retold part of the popular Chinese folk-tale Pilgrimage to the West). In the period between the 1950s and the 1980s, China entered a golden era of animation. Many popular cartoon films were made, such as Scatterbrain and Crosspatch (1962) (video) and The Cowboy's Flute (1963) (video). Only in the decade between 1949 and 1959, the Shanghai Animation Film Studio produced nearly 100 films. Roughly estimated, since China's animation made its debut on the world movie circle, it has won 57 international awards and more than 200 local prizes. Its unique artistic style is known as the "Chinese School" worldwide.
Let's see some typical examples of China's animation over its glorious age.
Little Tadpole Looking for Mummy (1960)
In spring, many little tadpoles swim to and fro in the water. Seeing a group of chickens embracing their mother affectionately on the bank, they begin to look for their own mother. With the help of an "uncle shrimp", goldfish, crab and turtle, they finally find a frog -- their beloved mother. This ink painting animation which is only 14 minutes long is well known all over the world as the Chinese unique ink painting is for the first time used in the single-line brush animation. Nearly every scene is a beautiful ink painting.
The film, directed by Tang Cheng and Te Wei, won best animation movie in the first Chinese Hundred Flowers Awards. Established in 1962 by the Popular Movies magazine, the awards, an annual event, are decided by the number of votes submitted by the general public.
Uproar in Heaven (1961, 1964)
Screenplay by Li Keruo and Wan Laiming. Directed by Wan Laiming. Uproar in Heaven is based on the famous novel, Pilgrimage to the West, the amazing adventures of the monk Xuanzang as he travels westward in search of Buddhist sutras. With him are his three disciples: the irreverent but competent Monkey -- Sun Wukong, the gluttonous Pig -- Zhu Bajie and the dependable Friar Sand -- Sha Heshang. The journey takes the foursome through all kinds of harrowing ordeals and exciting trials as they defend themselves against monsters and spirits hungry for a taste of the monk's flesh. It relates how Sun Wukong borrows the golden cudgel from the Dragon Palace; takes a poor position in Heaven and then is demoted and even gets unfair punishment; and how he is pushed beyond the limit of endurance and makes a big scene in Heaven. Finally Sun returns to the Mountain of Flowers and Fruit, entitling himself a king equal to Heaven.
Uproar in Heaven won the best animation film in the second Hundred Flower Awards and is regarded as one of the most successful animations for it creates a cartoon hero Sun Wukong (monkey king) which has become a household word in China.
Nezha Conquers the Dragon King (1979)
Li Jing is the general military leader in Chentangguan. After three and a half years' pregnancy, his wife gives birth to a flesh ball and a boy jumps out from the ball. A Taoist named Taiyi Zhenren comes to express congratulations. He names the boy Nezha and gives him a universe ring and firing wheels, accepting Nezha as his disciple. When Nezha is seven years old, the area is afflicted with severe drought, while the dragon king of the eastern sea keeps a blind eye to it and refuses to give an artificial precipitation and worse that he asks Yecha (an evil spirit) to snatch little children from the beaches. The virtuous Nezha kills Yecha and the son of the dragon king, Aobing. The dragon king goes to Heaven to bring a case but is beaten brutally by Nezha. Afterwards, the dragon king invites his three brothers in revenge, flooding Chentangguan and asking for Nezha's life. Nezha wants to fight back but is refrained by his father. Therefore he bravely commits suicide by cutting his throat in defense of all residents in Chentangguan. After that, Taiyi Zhenren lets Nezha be revived from death by rebuilding his body with fresh lotus roots and lotus flowers. The revived Nezha, portrayed as a divine warrior with three heads and six arms, destroys the dragon palace and rids the people of a scourge by defeating the dragon king.
Nezha Conquers the Dragon King, directed by Wang Shuchen, Yan Dingxian and Xu Jingda is the first wide-screen animated feature produced in China, wining the best animation film in the third Hundred Flower Awards in 1980. The production of animation was suspended for almost 10 years during the Cultural Revolution. So Nezha's return is of far-reaching importance to China's animation as well as China's cultural circle.
Three Monks (1980)
A young monk lives a simple and peaceful life in a temple on the top of a hill. He has one daily task that irks him: he has to haul two buckets of water up the hill. He tries to share the job with another monk who comes to the temple later, but the carrying pole the monks use is only long enough for one bucket. The arrival of a third monk prompts everyone to expect that someone else will take on the chore. Consequently, no one fetches water though everybody is thirsty. At night, a rat comes to scrounge and then knocks the candleholder, leading to a devastating fire in the temple. The three monks finally unite together and make a concerted effort to put out the fire. Since then they understand the old saying "unity is strength" and begin to live a harmonious life. The temple never lacks water again.
Three Monks, directed by late cartoonist A Da, won the best animation film in the first Golden Rooster Awards. Established in 1981 by the China Film Association, the award is so named because 1981, according to Chinese lunar calendar, was the year of rooster. The yearly awards are decided by a special committee composed of film experts.
Three Monks also won a Silver Bear for Short Film at the 32nd Berlin Film Festival in 1982.
Calabash Brothers (1987)